| Inv#:
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Title:
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Comp./Arr. |
Level: |
Price: |
| 184929 |
Pomp And Circumstance |
Dana F. Everson |
2.5 |
30.00 |
| |
Full set for band/orchestra - multiple copies of books 1-8; alla band set. (See Hymnsembles)
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| 182904 |
Go
Tell (band acc.) |
David
E. Smith |
2.5 |
35.00 |
| 182904.1
|
Score-Go
Tell/Mountain |
|
|
4.00 |
| 182904.5
|
Parts-Go
Tell/Mountain (Specify) |
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|
1.50 |
| |
A
band accompaniment for the woodwind solo based on the
piano accompaniment found in the solo/piano version. It
comes with four woodwind solo lines as well as a full
band set. The piece’s counterpoint features the
combination of both themes of the tune at the same time.
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|
| 182912 |
This
Is My Father’s World (procession) |
Dana
F. Everson |
2.75 |
39.00 |
| 182912.1 |
Score-This/My
Father’s World |
|
|
4.00 |
| 182912.5 |
Pts-This/Father’s
World (Sp.) |
|
|
1.50 |
| |
A
dignified, flowing arrangement with simple
countermelodies causing refreshing color and texture
changes. It modulates from Eb, to F, to Bb. The final
section has an optional repeat providing adaptation for
any stately church or school event. In a moderate 4-4
tempo. A processional march.
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| 182906 |
The
Joy Of Christmas |
Fred
M. Hubbell |
2.5 |
39.00 |
| 182906.1
|
Score-The
Joy of Christmas |
|
|
4.00 |
| 182906.5
|
Parts-The
Joy of Christmas (Spec.) |
|
|
1.50 |
| |
"The
Joy Of Christmas" very cleverly integrates O
Come O Come Immanuel and God
Rest Ye Merry Gentlemen. In D Minor
and F Minor, the tempo indications are Allegretto,
Allegro and Grandioso. A contrapuntal treatment is used
for solo flute, clarinet and alto sax with percussion
accompaniment. A compelling ending.
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|
| 182911 |
Hymns
On Parade |
Fred
M. Hubbell |
2.75 |
52.00 |
| 182911.1
|
Score-Hymns
On Parade |
|
|
6.00
|
| 182911.5
|
Parts-Hymns
On Parade (Specify) |
|
|
2.00 |
| |
Twenty-two
hymns are showcased in "Hymns Of Parade"- but
don’t tell your audience. Let them guess what the
hymns are, and how many are included. Numerous changes of
accessible keys and time signatures will keep band
members on their toes. This is sure to be a crowd
pleaser.
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| 182914 |
Worship The Christ Child |
Billy Madison |
3 |
40.00 |
| 182914.1
|
Score-Worship
The Christ Ch. |
|
4.00 |
| 182914.5
|
Parts-
Worship Christ Ch. (Specify)
|
|
1.50
|
| |
An
original work in
a slow legato style that begins softly and slowly builds
to a climax. A simple melody and an infectious motif are
accompanied by a beautiful chord progression with
interesting inner voice movements, Almost every section
of the band (including solo trumpet) get an opportunity
to shine before the final chord.
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|
| 182901 |
March
of Faith |
David
E. Smith |
3 |
39.00 |
| 182901.1
|
Score-March
of Faith |
|
|
4.00
|
| 182901.5
|
Parts-March
of Faith (Specify) |
|
|
1.50
|
| |
Written
in the style of a Sousa march, the march includes I
Know I Have Believed and Trusting
Jesus for the first two strains and
incorporates Faith Is The Victory
for the Trio. The traditions of Sousa are present along
with some typical Sousa deviations.
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|
| 182902 |
Jesus
Loves/Little Child. |
David
E. Smith |
3 |
55.00 |
| 182902.1
|
Score-Jesus
Loves/Child. |
|
|
5.00
|
| 182902.5
|
Parts-Jesus
Loves/Child. (Specify) |
|
|
2.00
|
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Presented
as a nationalist tour on the theme through variation
styles of: Oriental, Scottish, Russia, Latin, and a touch
of an American Sousa march. The coda even makes a point
of its own.
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|
| 182913 |
Deep
River Medley |
Dana
F. Everson |
3 |
49.00 |
| 182913.1
|
Score-Deep
River Medley |
|
|
4.00
|
| 182913.5
|
Parts-Deep
River Medley (Specify)
|
|
2.00
|
| |
A slow, intense introduction leads
into a longing sound of the clarinet/ saxophone/ horn
line on Deep River.
The brass enter on the refrain for a change of color,
then the melody returns to the w.w./horns. Peace
Like A River is a spritely
saxophone/horn trio section leading into the brass with
woodwind obligato figures. Down By
The Riverside concludes the medley
featuring various color combinations and a lively rhythm.
Deep River
returns in a final tutti Grandioso. Percussion timbres
are sprinkled throughout.
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| 182903 |
 O Holy Night (new typeset edition) |
David
E. Smith |
3 |
30.00 |
| 182903.1
|
Score-O
Holy Night |
|
|
4.00*
|
| 182903.5
|
Parts-O
Holy Night (Specify) |
|
|
1.50*
|
| |
A band accompaniment for the trumpet
solo based on the piano accompaniment of the
trumpet/piano version. Colorful scoring for the contrasts
presented in the composition.
|
|
| 182905 |
Noah's
"L'ark?" |
David
E. Smith |
3 |
30.00*
|
| 182905.1
|
Score-Noah's
"L'ark?" |
|
|
4.00*
|
| 182905.5
|
Parts-Noah's
"L'ark?" (Specify) |
|
|
1.50*
|
| |
Purely a novelty... with what Noah
might have had to put up with. It begins with a flowing
theme based on the call of the meadowlark, followed by
the antics of the cuckoo. Then comes the arrogance of the
woodpecker theme, concluded by the cacophony of all these
"birds" carrying on at once. A
"L’ark?" for Noah?
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| 182907 |
Believe
March |
George
E.Strombeck |
3 |
32.00 |
| 182907.1
|
Score-Believe
March |
|
|
4.00
|
| 182907.5
|
Parts-Believe
March (Specify) |
|
|
1.50
|
| |
This selection is intended to
portray the essence of our Christian faith through
Christ, featuring the hymns I Know
Whom I Have Believed, and Believe
On The Lord Jesus Christ. Written in
a march style, the simple yet effective countermelodies
balance the well-known hymns; the ending builds to an
exciting concert-type conclusion.
|
|
| 182908 |
All
The Way My Saviour Leads |
David
M. Moody |
3 |
32.00 |
| 182908.1
|
Score-All
The Way My Saviour |
|
|
4.00
|
| 182908.5
|
Parts-All/Way
My Saviour (Sp.) |
|
|
1.50
|
| |
Opening in a reflective mood, the
theme is presented against a smooth countermelody in the
woodwinds, expanding to full band. Modulating upward, the
brass choir states the theme while the woodwinds
punctuate with an obligato. After a sensitive section the
band grows to climatic proportions and then tapers to
reflect the beginning.
|
|
| 182909 |
I
Love To Tell The Story |
David
M. Moody |
3 |
32.00 |
| 182909.1 |
Score-I
Love To Tell/Story |
|
|
4.00
|
| 182909.5 |
Parts-I
Love To Tell/Story (Spec.) |
|
|
1.50
|
| |
The piece begins with a sweeping
introduction. The theme is then passed through the
various sections of the band with counterlines
throughout. The second verse shifts to a sensitive scene
first in the flutes, then the horns and saxes, finally
expanding to full band. The ending resolves to a sense of
calm.
|
|
| 182910 |
Wonderful
Peace |
David
M. Moody |
3 |
32.00 |
| 182910.1 |
Score-Wonderful
Peace |
|
|
4.00 |
| 182910.5 |
Parts-Wonderful
Peace (specify) |
|
|
1.50 |
| |
Opening with a full lush sound, the
piece settles into a smooth, flowing melody in the horns
and saxes. The full band responds giving way to a lighter
woodwind section. The ending explodes into a climatic
section much like the beginning, only to return to the
smooth flow of the first theme. |
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