Inv#: |
Title:
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Comp./Arr.
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Level: |
Price: |
181902 |
Nothing
But the Blood |
David
E. Smith |
1 |
32.00 |
181902.1
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Score-Nothing/
Blood |
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|
4.00 |
181902.5
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Parts-Nothing/
Blood - (Specify) |
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1.50 |
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Beginning with a fanfare motif (in
Eb) the theme alternates between dynamic shifts as though
a question and answer. The lower instruments then augment
the melody, followed by imitation in the upper voices.
The ending mirrors the fanfare of the beginning.
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181903 |
Take
Time To Be Holy |
David
E. Smith |
1 |
32.00 |
181903.1
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Score-Take
Time/Holy |
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4.00 |
181903.5
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Parts-Nothing/
Blood -(Specify) |
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1.50 |
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The piece begins in a subdued
fashion (in F). The theme is then presented by the upper
woodwinds while supported by contrasting brass
accompaniment. The middle section is an episode based on
the texture of the opening theme. The form is an overall
ABA with a reflective coda.
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181907 |
Childrens Hymn (Jesus Loves
Me) Billy Madison
1 |
35.00 |
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181907.1
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Score-Childrens
Hymn |
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4.00 |
181907.5
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Parts-Childrens
Hymn -(Specify)
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1.50 |
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Childrens Hymn begins with all
metallic percussion sounds (Sus. Cym., Trgl., &
Bells) and flutes. Other sections of the band are
gradually added until all instruments are playing. The
melody is passed around to various instruments and the
chorus is played tutti. The work ends the way it began
with all metallic percussion and flutes.
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181901 |
Faith
Of Our Fathers |
David
E. Smith |
1.5 |
35.00 |
181901.1
|
Score-Faith/Fathers |
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|
4.00 |
181901.5
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Parts-Faith/Fathers
- (Specify) |
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|
1.50 |
|
The selection opens with a
declamatory fanfare. Following, the theme is presented in
soli clarinet and later joined with a flute obligato. The
lower wind parts present the theme with fanfare
flourishes followed by woodwind counterlines. Block
chords give a feeling of strength and conclusion and then
ends with the fanfare that it began.
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181910 |
I Have Decided To Follow Jesus |
George E. Strombeck |
1.5 |
37.00 |
181910.1
|
Score- I Have Decided To Follow Jesus |
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|
4.00 |
181910.5
|
Parts- I Have Decided To Follow Jesus - (Specify)
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|
1.50 |
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Intended for students with one or more years of playing experience, this arrangement features a very interesting but not difficult countermelody for low instruments, and will sound full even with a minimum of player. The main theme is featured twice, first in concert Bb with the melody in treble parts, and then in concert Eb with melody in lower instruments, along with a creative obligato for upper instruments. The harmonies include an occasional chromatic treatment setting it apart from many traditional young band arrangements. Rhythm includes half, quarter and occasional eighth notes.
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181906 |
Power
In The Blood |
Dana
F. Everson |
1.5 |
35.00 |
181906.1
|
Score-Power
In The Blood |
|
|
4.00 |
181906.5
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Parts-Power
In/Blood - (Specify)
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1.50 |
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Uses a well-known melody with a
strong 4-4 pulse throughout. It begins with a strong
unison introduction and continues in mostly homophonic
texture with brief countermelodies. This will have a full
sound with small instrumentation as it modulates from F
to Eb.
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181909 |
David And Goliath |
Billy Madison |
1.5 |
37.00 |
181909.1
|
Score- David And Goliath |
|
|
4.00 |
181909.5
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Parts- David And Goliath - (Specify)
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|
1.50 |
|
A programmatic piece those young bands will enjoy. The percussion section opens this work with a ringing introduction that gives way to the low brass and woodwinds and
eventually the rest of the band. The opening slow section builds with intensity and finally pauses before the percussion section begins the Allegro tempo which drives to a rousing climax.
The piece then quickly relaxes just before a short, fast ending. A descriptive piece where you can feel the battle engaged; the stone making its mark; and David is the victor!
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181911 |
Men Of Faith |
Billy Madison |
2 |
39.00 |
181911.1
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Score- Men Of Faith |
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|
4.00 |
181911.5
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Parts- Men Of Faith - (Specify)
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1.50 |
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This Concert March was inspired by the Eleventh Chapter of Hebrews that says "By faith..." these great men (and women) of the Bible were able to accomplish all that God had for them to do. This work features a snare drum solo and is scored for various sections of the band to play the melody at one time or another. It begins in the concert key of Eb and then changes to Ab and ends in F. It is very playable with some repetitious syncopated rhythms and simple melody that will help build your faith.
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181908 |
Hail The Conquering Hero |
Fred M. Hubbell |
2 |
39.00 |
181908.1
|
Score- Hail The Conquering Hero |
|
|
4.00 |
181908.5
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Parts- Hail The Conquering Hero - (Specify)
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|
1.50 |
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From Handel's 1746 opera, Judas Maccabaeus this familiar hymn has survived even though the opera has not. It is found in many hymnals as This Is The Glory Risen, Conq'ring Son. Active percussion helps define the strong martial character. In (Eb) and (F.)
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181904 |
Glorious
Things/Spoken |
Fred
M. Hubbell |
2 |
37.00 |
181904.1
|
Score-Glorious
Things |
|
|
4.00 |
181904.5
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Parts-Glorious
Things - (Specify) |
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1.50 |
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Based on Haydns Austrian Hymn,
this arrangement of Glorious Things
Of Thee Are Spoken consists of an
eight measure introduction and an eight measure coda
based on a sequence of the themes first measure. In
the original key of Eb it states the theme twice with
brief two measure bridges of the sequence. Suitable for
congregational singing.
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181905 |
Trust
And Praise |
Wayne
P. Fritchie |
2 |
42.00 |
181905.1
|
Score-Trust
And Praise |
|
|
5.00 |
181905.5
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Parts-Trust
And Praise - (Specify) |
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|
2.00 |
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A medley of the two hymns, Trust
and Obey and Praise
Him, Praise Him is scored to sound
full and is technically designed for the developing band.
Melodies and countermelodies are spread throughout the
parts intending to interest and motivate young players. |
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